thug life, scenes occasionally begin and end messily, as actual recordings would. ![]() ![]() Largely shot by a 14 year old boy who is quickly being drawn into the South Central L.A. To address the positives, the film does a good job of maintaining the continuity of what is intended to be seen as home video footage. In fact, it misses the mark by a wide margin. Of course, I say “in theory,” because Gang Tapes doesn’t exactly reach the potential of that setup. Rather than enhancing the visceral nature of fear and paranormal happenings for the purpose of nail-biting horror, the concept, in theory, is meant to heighten the gritty realism of poverty-stricken, crime-riddled communities, ultimately confronting the audience with tough truths. Released just two years after The Blair Witch Project popularized the found footage genre, Gang Tapes was – to my knowledge – the first film to use the approach to chronicle the day-to-day life of black urban youth.
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